I feared it for the glass
lacerating, glimmering in a wan eventide
and all i could see
“uproar”
reforming reflecting pain
and under bow, that fleecing stain
i’m overground, tied to jumping in
“precipice”
i look in the mirror, and what do i see?
well,
i see gardens, a cottage, labrador
cot of goldenrods by the doorway
waiting for appreciation
sharing in their piece of nature
sleeping in your starting stalls will lead you to
pastures built from a hundred violet passions
worth it in the end
Sometimes it's hard to work out where you stand
it can be unrelenting as a day spent in the mentions
measured by all you couldn't be
better stop thinking that way 'cause you're back to batting blunders, babe
I'm thinking that way
you're so far away now
Perfect is moments away
perpetually aglow with flowing promises, pal
saddle up baby duck, you're in for a fully convertible ride
and you're breezing on through
your seclusion isn't cute, hun
your illusion is a wan one, don't cry
you wanted the lie when perfection was tangible
hand me a section of thread now
to bull back the pullback named after a girlfriend
You switched your tune
high time i did so too
who is who in you?
to the glow you owed
flowing oaths in 42
Throw the glow right through the window
when it’s thrown back two can tango
toss it for a 50-yarder
turn your heel, now try a little harder
Back door is locked
tell me, is that what you wanted?
Now the haunt is haunted
honey hold your horses
reins are taut, don’t force it
rains are falling
Sometimes it’s hard to work out where you stand
i know you’ll come through
and it’s true
From: x_cynthia.sin_x@lanes.world
To: julesvernefan69@lanes.world
Cc:
Subject: What a day!
Julia!
It's really quite a tale, I hardly believe my luck! Ducking into Douglas Street a sign (on a restaurant door, I'd guess from God) caught my eye, I quote: "Opportunity only knocks but once!! So join us at 13:00 on the dot..."
Truly I was dubious but yet glanced down and my sundial said: "12:55, you've really no excuse! So go park your arse in a booth."
The meeting started. The speaker stood up tall. Someone farted; everybody laughed. "Stop that now, friends!" - spoke our knight - "Dontcha know that's our brother?!" - oh brother - "We're a family now and to climb we must all bind together," - togetherness - “so allow me to outline the way we all profit here...”
"[REDACTED]"
Julia, it's like a tonne's been shifted, mondo uplifted, and to think I nearly missed it.
My darling, I truly believe that this is going to be everything we have been looking for. I have found my calling, and life will be different for us now.
All my love,
Cynthia
P.S. I do hope the new job is treating you well. It really is a pity you keep getting fired. How is the office?
-------------------------------------------------------------
From: julesvernefan69@lanes.world
To: x_cynthia.sin_x@lanes.world
Cc:
Subject: Re: What a day!
cynthia dearest, i write from the printer. it's nearest the bit where the office is clearest. i fear that the manager's peering in fits in this general direction. he's itching to discipline. i had better dash for now, but i’ve some thoughts on your new… opportunity, and i will continue this letter as soon as i can safely steal another moment. now i'm hiding behind the water cooler. hr bitch is near but i can fool her. i'm pretending to be a big potted plant, and i love my gullible lady coz you believed that. but back to the matter at hand and i'm glad that you've had this epiphany fittingly sad as you've been, sat in limbo and faffing with strings as you're fishing for wins in your Weetabix Thins™. though i can't help but feeling the thing that's appealing is a promise too good to be true. you know i adore you and i'll try to support youbut trust is an idiot's game. they say fame can be lonely but so is obscurity. some wish to prey on your dream of security with oaths of community that lack authenticity. it’s cold driven unity. frosty, illusory. cracks under scrutiny. i apologise if this letter comes across as at all sanctimonious cynthia, but all i ask is that you approach the organisation and their bombastic spokesperson with a healthy dose of scepticism. you are a trusting soul, and i love you for it, but this is precisely why it would cause me no end of anguish to see you taken advantage of. yours, julia. p.s. randall from finance tattled and i now face a disciplinary meeting this afternoon. hold me in your thoughts won’t you? lol
-------------------------------------------------------------
From: x_cynthia.sin_x@lanes.world
To: julesvernefan69@lanes.world
Cc: drucilla_aka@lanes.world
Subject: Re: Re: What a day!
Julia,
Never thought you could be crueller than you were tuesday last week. One mouth purrs that you love me for trusting, the other lips spit “naive child, you’re an idiot!”. But that’s all okay 'cause I like it anyway. When you get mean I feel so seen. I mean REALLY seen and not just as a machine.
...But I have my concerns now. It’s like a prophecy fulfilled. I’m still not savvy to the details, but Drucie told me tales of brothers and mothers and best friends and lovers who jealously write off the company as only a scam to be called an adversary.
As for the man who brought me into the fold and flipped our fortunes forever, it's clear that you think him a mountebank, but you are judging a person you have never met. I hope you can bring yourself to be more open-minded. Me and Drucie both agree, we can smell the sea on the turn of his speech, and we call him the Tiller ‘cause he mows down all the fences.
All my love,
Cynthia
P.S. The Tiller taught us about killing our apathy, and manifesting our success through hard graft. Perhaps an attitude like that could help you focus more at work? Just a thought!
-------------------------------------------------------------
From: julesvernefan69@lanes.world
To: x_cynthia.sin_x@lanes.world
Cc:
Subject: Re: Re: Re: What a day!
cynthia precious, i write under covers. it's past witching hour and, i tell you, the others who share in my brain, god, they won'T FUCKING SHUT IT!!!! ahh they’re quieting down now but i’m sorry that i had to shoutndhnjdhb] i passed out for a moment there, but what i meant to say was cynthia, you never spoke that way until today. my instinct was to comprehend your words as school-girl threat, but part of me is well aware you’re moonstruck and you’ve just not seen it yet. if you need me to be with you i will follow through. the radio’s tuned to spray fm and they’re saying tomorrow looks sunny as hell. well, i think they’re playing our song… maybe it’s not that hard to know you, cynthia. there’s only one way up and one way down. i can’t be convinced to trust this situation cynthia. but i love you. and i want to be with you. and i recognise that i have to let you make this decision. for both of our sakes, i hope i’m wrong. yours, julia. p.s. if it all ends in some kind of blood bath, don’t come crying to me. will i see you at the arcade on friday night?
-------------------------------------------------------------
From: x_cynthia.sin_x@lanes.world
To: julesvernefan69@lanes.world
Cc: drucilla_aka@lanes.world, terrence.tilbrook@stockport.gov.uk
Subject: Re: Re: Re: Re: What a day!
JULIA!!!
Believer brought hither! The Tiller’s a killer! He slaughtered Drucilla and still he calls thiller! I spied it in secret inspired by you dear......
Julia, I’m obviously joking (who’s gullible now?). So you can stop your endless croaking (you’re just one of the crowd). You’re too cynical and now I’m realising that for you that’s typical (I’ve got no more love to go around). Drucie says all romance has an ending, and Julia, I think that time has come for us. I can’t be with someone who’s not willing to be a part of my new world. Tolerance isn’t enough. Kimberley was right when she said there’s only one way up and one way down. But there’s only one direction I’m headed. With or without you.
I’ll miss you.
Cynthia
P.S. Say goodbye to everyone from me, will you? I can’t do it myself. It’s too much.
-------------------------------------------------------------
From: julesvernefan69@lanes.world
To: x_cynthia.sin_x@lanes.world
Cc:
Subject: hi
cynthia 👋 i bet you were surprised by my insignia. i know it’s been a while since i’ve been near to ya, but you were right about some things, and the setting sun is plunging into ripples on the lake. i see roads i didn’t take. now the summer’s coming back around and the days begin to snake downtown and the ships are running right aground and the hellish seller suits abound and the boss is shouting “jules, pipe down!” and i miss you like the deserts miss the rain. and i think i need a quick lie down... p.s.
I’ll love you until the last syllable
‘til silvery screens are shooting us dead
i’ve seen what this balance can do to a person
it hurts to be [REDACTED]
but all slips aside when it’s you on the line
so i dial, and i die when the tone tapers dry
should i take what i’m inclined to think
as subject to sing? Demoralising
Upper pointing out their delicious decision
really threw me in a state of erratical [insert an expletive here]
i’m tapping out morse
i’m going through this divorce
heretical so
The forest was dank
and the sounds were so scary
as i stepped through the stichos
out onto the prairie
where the oaths rose in trickles
from tossed-aside scythes
and the old well was hungry for nickels and dimes
and no touch now remained of the scent of the pines
so down - yes, for miles down the water i travelled
those mauve woolpips ravelled the faster i paddled
increasing in speed to a glamouring rabble
when suddenly - ho there! - the harbour in shambles
and as you can imagine, i started to tremble
and delve into memories barely assembled
and grasp for my love’s face - it’s so sentimental -
as i glared up at Tailswood there on the fell!
We’re afloat, it’s awfully comfy here
but you know i’m a “bigshot”
and don’t you go forgetting that, my dear
“we do the rest ourselves”
all we do is flee
seeming to plead
for … er … free reign to do just as we please
soon all the folk in town concede
“they sure were right”
and underneath we are the same as you
“ghosts of” tomorrow
float through the mantle
too delightful, and fully free
these are the claims you’ll
hear as they float out of me
No-one is paying attention to my freedom
freed ‘em from the blazing monotony
romantic comedy swings, amongst the sweeter things
the banded wedding rings
the bada bada bings
/ that’s my show there
played by Tutti Frutti Tony /
/ you are only falling in love
call me back when you think you’re done /
“Don’t love me sweetheart
or i might stop loving you” “or your career
isn’t that clear?”
“only two” “and a bit of a rebel, just a bit”
“the lesson was bad, the lesson was bad
the lesson was bad, i am patient”
“you don’t know what to make of me
but i know what to make of you
you” “alternate between”
“a clown
a cop
a priest
a businessman”
“babies” “should be grateful for appropriate” “versatility
typical scoundrel
amorous egotist
helpless” “soul mentioned my name
but who is it he speaks of?”
“money, power, adulation, being alive”
“is that fair, i ask you, is that fair?
it is true, i told you i would” “listen
and i know just what makes it” “my own truth
thank god i’m god
i pitied poor people
the rest i make up”
“those who have no cake? they can go to the bread”
When i'm finished they'll surely throw roses
and from thoses i’ll grow me a garden
and perhaps
- yes, in time -
those with plots more barren than mine
might concede me the soil that i'm... owed
god knows
that my roses arose as mere hips from that loam
plucked in turn by my patrons
- from all walks of life, mind you -
so it follows the pittance they've since cultivated
and the beds in which such meagre skill demonstrated
will verily transfer to me, celebrated
so i can raise my vegetation!
...probably more roses.
A wider net was cast than originally planned
and for a while she sat and waited
patient through the day unbaited
‘til downright deflated
she resigned herself to a fishless existence
when the skip sauntered over and spoke of his business:
“so much misery is caused by incompetence
but there’s always tomorrow, and tomorrow can’t come soon enough”
she teetered the boardwalk, pondered the drought
walkman in one paw, tackle-box in south
she tuned in and tuned out...
“So many people today
just want a girlie who they
can claim to love
without putting in enough of
the work that’s gotta be done if you’re in love
you’re dumb when you’re in love”
“So i buffeted out
the boot-print you left on my heart
it took a whole lotta years
but i’m still here
and you’re still toiling in the rearview mirror”
“So if you wanna get with me
you’d better line up ladies
(line up ladies)
if you want a love letter from me
you’d better sign up ladies
you’d better gimme your address”
“So i’m a real cruel lady
but i’ll kiss you maybe
if you talk to Sadie
she’s a little baby
she can’t handle honesty
she should live in a monastery, honestly
tell her duly
you’re in love with yours truly”
So she switches off the radio
despondently tosses it to the waves
she's searching for something these love songs just can't contain
as she inhales the midnight sea spray
Why don’t you tell it to them straight?
I’m a cube
i’m a square
i’m a sphere
i’m a circle
It’s some sidesaddle business
growing bluer each day
it’s a seven-day ride to the town they call Grey
Now i’m in the silver city
with Karin Kanzuki and the gang, glowing
Oh
i’m back again
so be kind my friend
i wasn’t following
I’m not falling down that well again
|\__ /|
| ( |\\\
/ `\\\\
( (e `\\\\\
| | ``\\\\....________......__,;;;,
_ | |\ ``` `.;;;
___..--^/( | | \ `.;;
' o 9 ;;| O | \ |;;
`-____ `__// \ |;'
``-.' ;;;,..__| ` ' |'
\ '';;; | ' \ /;
\ ' | | _.'\ (;
\ | |'\| |..______...--' \ |\ \
| , | | | | |; | | \ |
/ /..___.| |--| | /;' / | | )
/ /.' | | | |\ \ | / / |
/ /' ( ) | | || | | | /
( | | | ( ) ||\ | | | |
.'.\ \ | | | | ||( /__( | |
/ / \ `._ | | | | /_( /__(
/_( `._/ / | | |
/__( / |
/__( ASCII art by Felix Lee (fl...@cse.psu.edu)
Just a pinball
ricocheting across the roads of this rickety old town
bricking ramp shots
bringing nothing, and no one, as we slip on down the drain
roll down to the arcade
they have this machine tucked away in the corner there
a 1995 Bally number
lost classic
i guess it never made the grade
backglass screams the title:
"Last Night in Glasgow"
cartoon cat flashes a grin
starts talking with me:
"my teeth once were bulbs
but now they're LEDs
so much is changing"
the conversation lulls
lured in by the lights i toss a coin into the machine
- Ball 1 -
Well it's free like a bird in here
but it's hot like a burden sears
and i've heard tell the end-times are drawing
- Ball 2 -
near
so they grab what they can and pump it full of air
cooling air
rigid air
freezing air
fleeting air
- Ball 3 -
and as a glow starts to show through the cracks in the pavement
in the brains of the bravest they’re making a savestate
a statement of interest that’s bound to be useless
a last lick of flame that could lap at the clueless
PLEASE DO NOT PAY MONEY FOR THIS ALBUM I ONLY MADE IT POSSIBLE TO DO SO TEMPORARILY SO THAT BANDCAMP INDEXES IT, IF YOU PAY MONEY FOR THIS ALBUM I WILL JUST ATTEMPT TO REFUND YOU
"Pacing beneath the frozen arch for the final time, Perla found itself awash. Though a globe to be sure (and what a globe! What a planet!), the world was now to it as a coin, flat and unyieldly in its form. Naturally, thought the child, just like those odd metal discs, this arrangement was designed to weather many generations of use and usurping. But even the most immaculately minted coin can be melted down. With enough licks of flame to help it on its way, that is. A globule of something-or-other fell from the arch, landing in Perla's hair. It shrugged and kept moving."
- Excerpt from “A Doctress's Patience” by Vicki Winters
Here lies another record. Being as it was a double-album consisting of “Heads” (tracks 1-10) and “Tails” (tracks 12-21), the title was “Coin”. Pop music is alive, long die pop music. Do as you will.
- Lane
credits
released October 31, 2023
"Coin" was written, produced and performed by Lane Goldman, and various others due to the use of samples and quotes.
"Heads" was engineered by Lane Goldman, and mixed by Lane Goldman + Ike Goldman.
"Tails" was engineered and mixed by Ike Goldman.
Ike Goldman performed lead vocals on "Tommy Too", and vocals on "Cunted in Marbs", "Lady Bountiful Bit" and "Search for the Sound".
"Coin" was mastered by Ike Goldman.
The eye-catching cover photo was taken by Audrey Bizouerne. The cover was designed and assembled by Lane Goldman.
"Coin" was especially inspired by "SMiLE" (unreleased) by The Beach Boys, “Something/Anything” (1972) and "Faithful" (1976) by Todd Rundgren, “Breakfast of Champions” (1973) by Kurt Vonnegut, “Love In Us All” (1974) by Pharoah Sanders, “...For the Whole World to See” (1975/2009) by Death, “Merrily We Roll Along” (1981) by Stephen Sondheim and George Furth, “Sunday in the Park with George” (1983) by Stephen Sondheim and James Lapine, “Confessions of a Pop Group” (1988) by The Style Council, “Doopee Time” (1995) by Doopees, “Night Falls Over Kortedela” (2007) by Jens Lekman, “Nostalgia, Ultra” (2011) by Frank Ocean, “Yeezus” (2013) and “The Life of Pablo” (2016) by Kanye West, “...And Star Power” (2014) by Foxygen, “Spite Your Face” (2017) by Rachel MacLean, “Red Burns” (2017) by Standing On The Corner, “Tranquility Base Hotel & Casino” (2018) by Arctic Monkeys, “Gaijin Mario” (2018) by Morsel, “Somuko Hodo” (2018) and “Air Ni Ni” (2019) by Hakushi Hasegawa, “Le regard qui tue” (2019) by Varnish La Piscine, “When I Get Home” (2019) by Solange, “12 Little Spells” (2019) and “Songwrights Apothecary Lab” (2021) by Esperanza Spalding, “Red Dress” (2021) and “On the Surface” (2022) by Sarah Brand, “Forget Your Own Face” (2022) by Black Dresses, “Piece-dye” (2022) by Cal Folger Day, and “Transatlantic Sugar” (2023) by Alice Low.
Please read on for the full credits for each track. They are as accurate and complete as i have been able to make them based on my research. If you have more information to add or would like to dispute anything in these credits, please do not hesitate to get in touch with me so that they can be updated.
“WITCHING HOUR AT THE DEPARTMENT STORE”…
…Quotes “Formwela 1”, written by Esperanza Spalding.
…Utilises sample(s) created or cut by Koji Kondo for “Super Mario World”.
…Utilises sample(s) created or cut by Hirokazu Tanaka, Keiichi Suzuki, Hiroshi Kanazu, Toshiyuki Ueno, Kozue Ishikawa, Akio Ohmori, Ritsuo Kamimura, or some combination of the above for “EarthBound”.
…Samples “Everything's Just Wonderful”, performed by Lily Allen (vocals), written by Lily Allen + Greg Kurstin, and produced by Greg Kurstin.
“CLUTCHING MY PEARLS”
…Utilises sample(s) created or cut by Kōji Kondō for “Super Mario World 2: Yoshi’s Island”.
…Samples the voice of Vikki Blanche.
…Quotes “Thinking Bout You”, written by Christopher Breaux (Frank Ocean).
…Samples the voice of Sarah Conder.
“BITTER PILLS IN C”…
…Utilises sample(s) created or cut by Kōji Kondō for “Super Mario World 2: Yoshi’s Island”.
…Quotes “The Blob” theme from “Merrily We Roll Along”, written by Stephen Sondheim.
…Utilises sample(s) created or cut by Kayoko Kon, Keisuke Mitsui, June Chikuma, Yasuhiko Fukuda, Kimitaka Matsumae, Takayuki Iwabuchi, Katsunori Takahashi, Keita Hoshi, or some combination of the above for “Super Bomberman 5”.
…Quotes “And I Remember Every Kiss”, written by Jens Lekman.
…Quotes “Lest We Forget (Blood)”, written by Esperanza Spalding.
“P.S. ROMANCE”...
…Utilises sample(s) created or cut by Hirokazu Tanaka, Keiichi Suzuki, Hiroshi Kanazu, Toshiyuki Ueno, Kozue Ishikawa, Akio Ohmori, Ritsuo Kamimura, or some combination of the above for “EarthBound”.
…Utilises sample(s) created or cut by Kōji Kondō for “Super Mario World”.
…Utilises sample(s) created or cut by Kōji Kondō or Soyo Oka for “Super Mario All-Stars”.
…Quotes “In the Shadows”, written by Aki Hakala, Eero Heinonen, Pauli Rantasalmi, Lauri Ylönen and originally performed by them as The Rasmus.
…Utilises sample(s) created or cut by Masanori Adachi, Akira Sōji, Taro Kudo, or some combination of the above for “Super Castlevania IV”.
…Quotes “Where You Lead”, written by Carole King + Toni Stern.
…Quotes “They’re Playing Our Song”, written by Marvin Hamlisch + Carole Bayer Sager.
…Samples “The Promise”, performed by Girls Aloud consisting of Nicola Roberts, Nadine Coyle, Sarah Harding, Cheryl Tweedy + Kimberley Walsh (all vocals), as well as Florrie Arnold (drums), Jason Resch, Kieran Jones, Nick Coler, Owen Parker (all guitars), Brian Higgins, Jason Resch, Matt Gray, Miranda Cooper, Nick Coler, Owen Parker, Tim Powell, Toby Scott (all keyboards and programming), Adrian Smith (viola), Jo Auckland (trumpet), Mark Brown (saxophone), Mike Kearsey (trombone), Nick Squires (cello), Stefan Defiletm (violin) + Susan Early, produced by Brian Higgins + Xenomania, mixed by Jeremy Wheatley, and written by Brian Higgins, Carla Marie Williams, Jason Resch, Kieran Jones + Miranda Cooper.
…Quotes “Missing”, written by Tracey Thorn + Ben Watt and originally performed by them as Everything but the Girl.
“DRY DOCK DIAL”...
…Quotes the theme tune from “Neighbours”, written by Tony Hatch + Jackie Trent.
…Samples incidental music from episode #6 of “Neighbours”, performed by an unknown pianist (possibly Tony Hatch), written by Tony Hatch, and edited by Warren Pearson.
…Samples the 1985 theme tune from “Neighbours”, performed by Barry Crocker (vocals), produced and arranged by Tony Hatch, and written by Tony Hatch + Jackie Trent.
“THE TAILSPORT TERROR”...
…Samples the voice of Bob Lloyd.
…Samples various pieces of incidental music from episode #2 of “Dark Shadows”, performed by the Robert Cobert Orchestra (musicians unknown), written by Bob Cobert and supervised by Arthur De Cenzo.
…Utilises sample(s) created or cut by Masanori Adachi, Akira Sōji, Taro Kudo, or some combination of the above for “Super Castlevania IV”.
…Utilises sample(s) created or cut by Hirokazu Tanaka, Keiichi Suzuki, Hiroshi Kanazu, Toshiyuki Ueno, Kozue Ishikawa, Akio Ohmori, Ritsuo Kamimura, or some combination of the above for “EarthBound”.
…Samples the voice Nancy Barrett.
…Samples the voice of Joan Bennett.
…Quotes “There’s Too Much Love”, written by Isobel Campbell, Michael Cooke, Christopher Geddes, Richard Colburn, Sarah Martin, Stephen Jackson + Stuart Murdoch, and originally performed by them as Belle & Sebastian.
…Samples the voice of Joseph Julian.
…Samples the voice of Alexandra Isles.
…Quotes and samples “Outro” from “The Lorax”, written by Dean Elliott and performed by unknown musicians.
…Samples “Exit, Exit Swomee Swan”, possibly performed by Scatman Crothers, Thurl Ravenscroft + Vivian Vance (all vocals) as well as other unknown musicians, and written by Dean Elliott + Theodor Geisel.
“MIRACULOUS TURN”...
…Samples the voice of Carole King.
…Samples the voice of Duncan Sheik.
…Samples “Girl of the Moment”, conducted by Mark W. Dorrell and performed by various unknown musicians, engineered by Peter Cobbin + Alex Scannell, produced by John Yap, and written by Kurt Weill.
…Samples “Girl of the Moment”, conducted by Charles Sanford, arranged by Irwin Kostal, adapted by Mel Pahl, and written by Kurt Weill.
…Samples “Girl of the Moment”, performed by unknown musicians (possibly also conducted by Charles Sanford), written by Kurt Weill.
…Samples “Girl of the Moment”, performed by the Bournemouth Symphony Orchestra, conducted by Marin Alsop, arranged by Rovert Russell Bennett, engineered by Mike Clements, produced by Andrew Walton, and written by Kurt Weill.
…Samples all tracks from “Promenade: The Original Cast Recording”, performed by Margot Albert, Carrie Wilson, Alice Playten, Al Settimio, Sandra Schaeffer, Ty McConnell, Gilbert Price, Glenn Kezer, Shannon Bolin, Michael Davis, Florence Tarlow (all vocals) + other unknown musicians, conducted by Susan Romann, orchestrated by Eddie Sauter, engineered by Ernie Oelrich, produced by Andy Wiswell, arranged by Al Carmines, and written by María Irene Fornés + Al Carmines.
…Samples “Chicken is He” as performed by Bonnie Milligan (vocals) + other unknown musicians, and written by María Irene Fornés + Al Carmines.
…Samples “The Moment Has Passed” as performed by Madeline Kahn (vocals) + an unknown pianist, and written by María Irene Fornés + Al Carmines.
…Samples “The Cigarette Song” as performed by Bryonha Marie (vocals) + an unknown pianist, and written by María Irene Fornés + Al Carmines.
…Samples “Capricious and Fickle” as performed by Megan Thomas (vocals) + Chuck Sachs (piano), and written by María Irene Fornés + Al Carmines.
…Quotes “Listen, I Feel”, written by María Irene Fornés + Al Carmines.
…Samples “I Saw a Man” as performed by Saundra Santiago (vocals) + other unknown musicians, and written by María Irene Fornés + Al Carmines.
…Utilises sample(s) created or cut by Hirokazu Tanaka, Keiichi Suzuki, Hiroshi Kanazu, Toshiyuki Ueno, Kozue Ishikawa, Akio Ohmori, Ritsuo Kamimura, or some combination of the above for “EarthBound”.
…Quotes “The Blob” theme from “Merrily We Roll Along”, written by Stephen Sondheim.
“SPRAY FM”...
…Quotes “The Blob” theme from “Merrily We Roll Along”, written by Stephen Sondheim.
…Samples music composed and programmed by Tsukasa Tawada and/or Winkyuma for “Rod Land”.
…Samples incidental music from episode #6 of “H2O: Just Add Water” written and presumably produced and performed by Ricky Edwards, Ric Formosa + Gavin Parker.
…Samples the voice of Claire Holt.
…Samples “These Words”, performed by Natasha Bedingfield (vocals, guitar), with Wayne Wilkins (keyboards, programming), Andrew Frampton (keyboards, programming) + Katherine Lanson (drums), engineered by Wayne Wilkins, mixed by Mark "Spike" Stent, David Treahearn + Rob Haggart, mastered by Herb Powers, produced by Steve Kipner, Andrew Frampton + Wayne Wilkins, and written by Natasha Bedingfield, Steve Kipner, Andrew Frampton + Wayne Wilkins.
…Interpolates music from episode #55 of “H2O: Just Add Water”, probably written by Ricky Edwards + Ric Formosa, and as performed by Jamie Timony (vocals, keyboards) and Angus McLaren (drums).
…Utilises sample(s) created or cut by Koji Kondo for “Super Mario World”.
…Utilises sample(s) created or cut by Hirokazu Tanaka, Keiichi Suzuki, Hiroshi Kanazu, Toshiyuki Ueno, Kozue Ishikawa, Akio Ohmori, Ritsuo Kamimura, or some combination of the above for “EarthBound”.
“DAPPLE GREY FOAL”...
…Samples “Great Blue Heron”, performed by Banana and the Bunch consisting of Banana (piano), Joe Bauer (drums) + Steve Swallow (bass), produced by Stuart Kutchins, and written by Lowell Levinger.
…Samples and quotes “Celeste”, performed by Donovan (vocals, guitar), with some combination of Bobby Ray, “Fast” Eddy Hoh, Cyrus Faryar, Jimmy Page, John Cameron, Spike Heatley, Bobby Orr + Tony Carr, produced by Mickie Most, possibly engineered by Peter Vince, and written by Donovan Leitch.
…Samples “The Mysterious People”, performed by Bruce Forsyth (vocals) + other unknown musicians, and written by Hal Shaper + Olle Adolphson.
…Samples the voice of David Mitchell.
…Quotes “Baby, Baby”, written by The Lemon Twigs consisting of Michael D‘Addario + Brian D’Addario.
…Samples the voice of Louise Lasser.
…Samples “Stacy's Mom”, performed by Fountains of Wayne consisting of Chris Collingwood (vocals, guitar), Adam Schlesinger (bass, vocals), Jody Porter (guitar, vocals) + Brian Young (drums), produced by Adam Schlesinger, Chris Collingwood + Mike Denneen, mixed by Tom Lord-Alge, and written by Chris Collingwood + Adam Schlesinger.
…Quotes “Suspicious Minds”, written by Mark James.
…Samples and quotes “Leading a Double Life”, performed by “Blue” Gene Tyranny, mixed by Robert Sheff (“Blue” Gene Tyranny) + Andrew Aldrich, and written + produced by Robert Sheff.
…Samples the voice of Conan O’Brien.
…Samples the voice of Joan Rivers.
…Samples the voice of Craig Ferguson.
…Samples the voice of Melissa Rivers.
…Samples the theme tune from “Late Night with Conan O’Brien”, performed by The Max Weinberg 7 consisting of Max Weinberg (drums), Scott Healy (piano), Mike Merritt (bass), Mark Pender (trumpet), Richie "LaBamba" Rosenberg (trombone), Jerry Vivino (saxophone) + Jimmy Vivino (guitar), and written by Howard Shore.
…Samples an arrangement of the theme tune to “The Late Late Show with Craig Ferguson”, produced + arranged by Andy "Stoker" Growcott, and written by Andrew Growcott, Tim Mosher, + Todd Yasui.
…Quotes “Headfirst for Halos”, written by My Chemical Romance consisting of Gerard Way, Ray Toro, Frank Iero, Mikey Way + Matt Pelissier.
…Samples “My Yiddishe Momme” performed by Terry Gibbs (vibraphone) with Alice Coltrane or Al Logan (piano), Herman Wright (double bass) + Sol Gage (drums), produced by Quincy Jones, and written by Jack Yellen + Lew Pollack.
…Samples the voice of Doris Speed.
…Samples the voice of Anne Kirkbride.
…Samples the voice of Jack P. Shepherd.
…Samples the voice of Paula Lane.
…Utilises sample(s) created or cut by David Wise for “Donkey Kong Country 2: Diddy’s Kong Quest”.
…Utilises sample(s) created or cut by Grant Kirkhope for “Banjo-Kazooie”.
…Samples the voice of Sarah Lancashire.
…Samples the voice of Kevin Kennedy.
…Utilises sample(s) created or cut by Kōji Kondō for “Super Mario World 2: Yoshi’s Island”.
…Utilises sample(s) created or cut by Kayoko Kon, Keisuke Mitsui, June Chikuma, Yasuhiko Fukuda, Kimitaka Matsumae, Takayuki Iwabuchi, Katsunori Takahashi, Keita Hoshi, or some combination of the above for “Super Bomberman 5”.
…Quotes “Il était un petit navire” (traditional), referencing performances by Ayaka Fukuhara and Cherami Leigh.
…Samples “Teach Me How to Understand Christmas”, performed by Alison Brie (vocals) and other unknown musicians, conducted + orchestrated by Erik Arvinder, engineered by Bryan Carrigan, mixed by Chris Fogel, and written by Ludwig Göransson, Steve Basilone, Annie Mebane, Giona Ostinelli, or some combination of the above.
…Samples incidental music from episode #59 of “Community”, performed by unknown musicians, conducted + orchestrated by Erik Arvinder, engineered by Bryan Carrigan, mixed by Chris Fogel, and written by Ludwig Göransson or Giona Ostinelli.
…Samples the voice of Joel McHale.
…Samples music from “Three Little Pigs”, performed by Carl W. Stalling (piano) + other unknown musicians, engineered by George Lowerre, and written + arranged by Carl W. Stalling.
…Samples the theme tune from “The World About Us”, performed by unknown musicians, composed, orchestrated + conducted by John Scott, and remastered by Louish Waltz.
…Samples incidental music from episode #1 of “María la del Barrio”, performed by unknown musicians, and written by Luis Guzmán Zaldívar, Gerardo León, Carlos Páramo, Manuel A. Rodríguez, Paco Navarrete, or some combination of the above.
…Samples the voice of Thalía.
…Samples “Sous le ciel de Paris”, written by Hubert Giraud + Jean Dréjac, and probably performed by Enrico Macias (vocals) + other unknown musicians, produced by Jean-Claude Ghrenassia, and engineered + mixed by Jean-Pierre Sluys.
…Quotes “Hey! Baby”, written by Margaret Cobb + Bruce Channel.
…Samples “Amen, Brother” by The Winstons, with the sampled section performed by Gregory C. Coleman (drums), and the song arranged by The Winstons consisting of Joe Phillips, Richard Lewis Spencer, Ray Maritano, Quincy Mattison, Phil Tolotta, Sonny Pekerol + Gregory C. Coleman, and produced by Don Carroll.
…Samples “Hey Baby”, performed by Ringo Starr (vocals, drums) with Lon Van Eaton (guitar), Cooker Lo Presti (bass), Jim “Lightnin” Keltner (drums), John Jarvis (keyboards), Randy Brecker, Alan Young (both trumpets), Michael Brecker, George Young (both tenor saxophones), Lewis Delgatto (baritone saxophone), The Mad Mauries (vocals, musicians unknown), engineered by Lew Hahn + Steve Brandon, produced by Arif Mardin, and written by Margaret Cobb + Bruce Channel.
…Samples default sounds from Windows 8, probably created by Matthew Bennett.
…Samples the voice of Heath Ledger.
…Samples “Premiere Occasion”, performed by unknown musicians and written by Robert Charles Kingston as Barry White.
…Samples “Nadia’s Theme”, performed by unknown musicians and written by Barry De Vorzon + Perry Botkin Jr..
…Samples music from “WHO dunnit”, written and produced by Paul Heitsch.
…Samples “Why Me?”, performed live by Linda Martin (vocals) + other unknown musicians, conducted by Noel Kelehan, and written by Johnny Logan.
…Quotes in its entirety “Illusions”, written by Friedrich Hollaender.
…Samples the closing music from the 1992 edition of the Eurovision Song Contest, performed by Annika Härdelin (oboe), Helge Albin, Per Bäcker, Inge Petterson, Karl-Martin Almqvist, Berndt Sjunnesson (all reeds), Thomas Kjéllden, Henrik Halén (both french horns), Magnus Johansson, Roy Wall, Anders Gustavsson, Fredrik Davidsson (all trumpets), Vincent Nilsson, Olle Tull, Björn Hängsel (all trombones), Kjell Edstrand, Peter Ljung, Anders Neglin, Jörgen Bornemark (all keyboards), Anders “Chico” Lindvall, Bengt “Mulle” Holmqvist (both guitars), Sam Bengtsson (bass), Anders Gustavsson (drums), Peter Fältskog, Nicklas Holmberg (both percussion), Lena Ader (harp), Milos Kalla, Francisczek Lejczak, Ann-Sofi Backman, Eva Härdelin, Liselott Andered, Helena Gisslén-Rondin, Peter Olofsson, Göran Rydström, Klas-Göran Wahlgren, Roland Sandström, Lovisa Wahlgren, Åke Hult, Göran Eklund, Anna Ingvarsdóttir, Björn Arnholdt-Olsson, Henrik Frendin, Rein Ader, Lars Rådelius, Åsa Jacobsson, Peter Törnblom, Roland Sparrmo, + Karin Gustavsson (all strings), and conducted by Anders Berglund.
…Samples audio from MicroPets, created by an unknown person or people.
…Samples the voice of Raquel Aragón.
…Samples “Monkey Golf 2” from “Super Monkey Ball 2”, written + produced by Hidenori Shoji and/or Haruyoshi Tomita, which itself may be partially adapted from “Breezin’”, written by Bobby Womack.
…Samples “Fish Out of Water” by Nicola Roberts, produced by Joseph Mount, engineered + mixed by Ash Workman, mastered by Dick Beetham, and written by Nicola Roberts + Joseph Mount.
…Samples “Meteo” theme from “Lylat Wars”, written + produced by Kōji Kondō and/or Hajime Wakai.
…Samples sound effects from “Lylat Wars” created by Yoji Inagaki.
…Samples the voice of Rick May.
…Quotes “Dead Womb”, written by Jesse F. Keeler + Sebastien Grainger.
…Samples “From Graceland to the Promised Land”, performed by Merle Haggard (vocals), engineered by Gary Laney + Jim Williamson, produced by Fuzzy Owen, and written by Merle Haggard.
…Samples “KXOK” by Lately David consisting of Danny McGreger (vocals, guitar), Tommy Burton (bass guitar, vocals), David Rice (guitar), Scott Agner (drums), Jim Spake (tenor saxophone), + Scott Thompson (trumpet), written by Danny McGreger.
…Samples “Goin’ ‘Way Blues”, performed by Jackie McLean (alto saxophone) with Freddie Hubbard (trumpet), Kenny Drew (piano), Doug Watkins (bass), + Pete La Roca (drums), engineered by Rudy Van Gelder, produced by Alfred Lion, and written by Jackie McLean.
…Samples “Bewitched” by Julie London (vocals) with other unknown musicians, produced by Si Waronker, and written by Richard Rodgers + Lorenz Hart.
…Samples “Welcome Home, Baby” by The Shirelles consisting of Shirley Owens, Doris Coley, Addie Harris, Beverly Lee (all vocals), + other unknown musicians, arranged by Bert Keyes, and written + produced by Luther Dixon.
…Samples “Drums Are My Beat” by Sandy Nelson (drums), with other unknown musicians, written by Sandy Nelson.
…Samples “He’s a Rebel” by The Crystals consisting of- okay okay wait a second, this is some wild shit, The Crystals were on tour but Phil Spector wanted to get a version of “He’s a Rebel” released before another version came out, so he just got a different group called The Blossoms to record it, then the label released it as a Crystals record, and when the actual Crystals heard it on the radio they were like wtf this isn’t us, because no-one told them that any of this was happening. Man, fuck the music industry. Anyway, i guess that “Dapple Grey Foal” in fact…
…Samples “He’s a Rebel” by The Blossoms, consisting of Darlene Love, Edna Wright, Fanita James, Gracia Nitzsche, Gloria Jones, Jean King (all vocals), with Bobby Sheen (vocals), Hal Blaine (drums), Steve Douglas (saxophone), Howard Roberts, Tommy Tedesco (both guitars), Al DeLory, Don Randi (both piano), Jimmy Bond (double bass), + Ray Pohlman (bass guitar), produced by Phil Spector (cunt), arranged by Jack Nitzsche, engineered by Larry Levine, and written by Gene Pitney.
…Samples “It’s a Raggy Waltz” by The Dave Brubeck Quartet consisting of Dave Brubeck (piano), Paul Desmond (alto saxophone), Eugene Wright (bass), + Joe Morello (drums), produced by Teo Macerom and written by Dave Brubeck.
…Samples “Dear Lady Twist” by Gary U.S. Bonds (vocals), with other unknown musicians, written + produced by Frank Guida.
…Samples “No One Can Make My Sunshine Smile” by The Everly Brothers consisting of Don Everly + Phil Everly, with other unknown musicians, written by Gerry Goffin + Jack Keller.
…Samples “Let’s Talk About Love” by Helen Shapiro (vocals), with Norrie Paramor And His Orchestra, consisting of Norriw Paramor + other unknown musicians, written by Bunny Lewis + Norrie Paramor.
…Samples “I Love You” by The Volumes consisting of Ed Union, Elijah “Teenie” Davis, Larry Wright, Joe Travillion, Ernest Newson, Herb Hamlett, Clarence Berger Jr., with other unknown musicians, written by Ernest Newson + Willie Ewing.
…Utilises sample(s) created or cut by Kōji Kondō for “Super Mario World”.
…Utilises sample(s) created or cut by Hirokazu Tanaka, Keiichi Suzuki, Hiroshi Kanazu, Toshiyuki Ueno, Kozue Ishikawa, Akio Ohmori, Ritsuo Kamimura, or some combination of the above for “EarthBound”.
I JUST RELEASED THE ALBUM AND I’M TRYING TO FINISH THE CREDITS BUT I’M SO SO TIRED AND I HAVE TO SLEEP BUT THEY’LL BE FINISHED SO SO SOON I PROMISE!!
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